Analysis Of The Biography Louis Armstrong - 1036 Words

Dajonna Stewart Mr.Dresser General Music 05/29/2015 Louis Armstrong was born August 4, 1901, in New Orleans, Louisiana. Louis was a trumpeter, bandleader, singer, soloist, film star, and also an comedian. He was the type of person who grabs everyone attention during the jazz industry. He did not only grabs the jazz world attention be grabbed all of the popular music attention as well. He also was giving the nickname Pops Satchmo Ambassador Satch. Armstrong lived in a very poor neighborhood while living in New Orleans. While growing up his childhood was difficult. His parents separated when he was five years old. He use to sing in the streets for pennies during his childhood. His father was a factory worker and his mother turned to prostitution, she left him living with his grandmother. Louis dropped out of school at the age of eleven to join an informal group on December 31, 1912. He also went to jail in the year of 1912 when he was thirteen for shooting a gun into the air on New Year s Eve. Once the police let him out of jail t hey sent him to a school called Colored Waits Home For Boys he later was released on June 16, 1914. From 1917 to 1922 He played for New Orleans Dixieland jazz band and he started off playing with the 1920s recording made with Hot Five and Hot Seven. He also tried writing songs, but he barely got paid for his work, his saw his composition I Wish I couldShow MoreRelatedLouis Vuitton s Leading International Fashion House And The World s Most Valuable Luxury Designer Brand991 Words   |  4 PagesExecutive summary Louis Vuitton has successfully gained the title of the world’s leading international fashion house and the world’s most valuable luxury designer brand (O’Connor, 2015). Through their three 3P’s (Brand Promise, Brand Positioning and Brand Performance), it has triumphantly upheld its advantage over its contenders by not only supplying their customers with outstanding products that are incomparable in quality and features, but also offer a customer service atmosphere that is unlikeRead MoreBessie Smith : An American Jazz Musician Essay1437 Words   |  6 Pagesthe genre of blues. She was born on the date of 15th April 1894. She is known to well for her dominance in the blues genre music in the span of around 1920s and 1930s. Bessie attributes her success, by working continuously with Louis Armstrong. Research indicates that Louis was a key inspiration when it comes to the perfection of jazz vocals. In her time, Bessie Smith proudly boasts as one of the best Blues musicians both in the US and the world as a whole. However, her life was cut short in 1937Read MoreHaving Our Say Essay9582 Words   |  39 Pagescom/studyguide-having-our-say/ Copyright Information  ©2000-2011 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Literature Study Guide is offprint from Gales For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare Contrast, What Do I Read Next?, For FurtherRead MoreOrganisational Theory230255 Words   |  922 Pagestheory focuses attention on the human issues in organization ‘There is nothing so practical as a good theory’ How Roethlisberger developed a ‘practical’ organization theory Column 1: The core contributing social sciences Column 2: The techniques for analysis Column 3: The neo-modernist perspective Column 4: Contributions to business and management Four combinations of science, scientific technique and the neo-modernist approach reach different parts of the organization Level 1: Developing the organizationRead MoreContemporary Issues in Management Accounting211377 Words   |  846 Pagesproviding a voice of reason amidst all the consultancy excitement of seemingly new ways of costing the business world. He has played a similar role in the area of accounting standard setting, both taking forward the British tradition of the economic analysis of financial accounting and, of possibly greater significance, providing some very original analyses of the possibilities for meaningful accounting standardization. With an agenda as rich as this, it is all the more praiseworthy that Michael maintainedRead MoreMonsanto: Better Living Through Genetic Engineering96204 Words   |  385 Pages441 441 CASE STUDIES A summary of the case analysis I N T R O D U C T I O N Preparing an effective case analysis: The full story Hearing with the aid of implanted technology: The case of Cochlearâ„ ¢ – an Australian C A S E O N E high-technology leader Delta Faucet: Global entrepreneurship in an emerging market C A S E T W O DaimlerChrysler: Corporate governance dynamics in a global company C A S E T H R E E Gunns and the greens: Governance issues in Tasmania C A S E F O U R Succeeding in the

Media s Influence On Politics - 932 Words

Media and politics are different entities with distinct aim; however, both depend on each other. Politics use media to be known by the public and to advertise their campaigns while media needs politics to inform the public by giving visibility to politics. Media and politics work together and even though they are different, both impact each other . Since politics need media to provide good image and information about them. Media also can use its authority to exploit information on politics; in contrast, politics uses their power to settle barriers on information provided by media. Thus, the role of media can result in bad and good influence in politics. Media has provided no reliable information about politics to citizens. Sometimes media distort information to get people’s attention or even to get more buyers, but the problems are that it affects the relationship between politics and citizens. For example, one of the reasons for lower turnout comes from negative advertisement presented by media. During the 60’s to up now people stop caring about voting, it happens because conventional wisdom says that â€Å"negative ads wins voters .† Another example is if candidate A says that marijuana should be allowed in any state of U.S, the media can distort the information by saying candidate A is a drug dealer. However, what media does do not affect themselves instead help them to gets politics and people’s attention. Moreover, media makes politicians fight against each other byShow MoreRelatedThe Media s Influence On Politics1134 Words   |  5 PagesAmerican Government The media’s influence on politics I decided to do research on the impact that the media has politics due to the factors that can influence society, as well as the individuals. Do you believe that social media plays a major role in politics and at times can be unfair by only showing one perspective? I personally believe that the social media, greatly effects politics and can be shown to be very one-sided on many occasions. Social media has been around long before itRead MoreMedia s Influence On Politics1422 Words   |  6 PagesThe media has perpetually influenced politics, for example, during the 2016 election, 91 percent of Americans learned information about the election from eleven various media sources. As it is evident that the media increases knowledge about multiple candidates and political parties throughout the country, within those sources, individualistic opinions and biases cloud the accurate information of what occurs. Although the press may be expanding awareness about the government and policy issues, itRead MoreThe Media s Influence On Politics Essay2357 Words   |  10 Pages â€Å"Social media s influence in this presidential election is stronger than it has ever been† (Lang par.4). It is undeniable that this 2016 election has been greatly impacted by the media. 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In today’s politics, the media is a necessary part of the campaign process and is undoubtedly a powerful tool for candidates in getting their message to the public and the engine by which public opinion is formed. But just how powerful is the media? Dictionary.com defines the media as, â€Å"The means ofRead MoreEssay on Mass Medias Political Power967 Words   |  4 Pagesissues regarding media influence in politics 1. Does presentation and coverage affect voting behaviour and choices? 2. Do media have an impact on political struggle and decide nature of debates? Definitions of mass media Mass media are channels of communication through which messages flow, produced by a few for consumption by many people. As the messages go through the channels, they are distorted. When people receive mass-media messages, theyRead MoreThe Political Of Political Socialization863 Words   |  4 Pagespolitical socialization is vital in the developing of how one views politics, the way they act or choose not to act, and how they identify within the political system. Although countless influences sway or attract us to a given political view, party, or identification, there are undoubtedly certain factors that play a bigger role in this process. Some of the most prominent agents of political socialization are as follows; family, media, peers, education, religion, faith, race, gender, age, geographyRead MoreThe Media s Impact On Public Opinion936 Words   |  4 PagesThe media has always had a powerful impact on public opinion in Britain. With several different types and means of communication, such as TV, newspapers, social networking and radio, it is difficult for the public to not be even slightly impacted by the opinion of thousands that surrounds them every day. However, with newspapers spinning stories to promote the party they favour (such as the Daily Mail in favour of Conservatives or the Mirror in favour of Labour ) or to disparage the opposition, is

Iago †character study Free Essays

Iago is the villainous character of ‘Othello’ and it is his behaviour that ultimately leads to the downfall of Othello himself, the tragic hero. Iago is duplicitous; to all the characters he is a source of friendship, honesty and knowledge, but in soliloquis he reveals his real self to the audience. It becomes apparent that his machinations are fuelled by anger and a desire for revenge, and he carries them out with an aura of self-belief and resoluteness. We will write a custom essay sample on Iago – character study or any similar topic only for you Order Now What makes Iago so different from the others is that he is calculating; while Othello operates and hindsight and naivety, Iago is much more perceptive and uses foresight. Although on the exterior Iago projects an image of practicality, rationality and self-confidence, it emerges that his behaviour stems from distraught emotions and feelings of inferiority. Iago’s thoughts and attitudes are clear from the beginning of the play, and they are what drive him on into bringing down Othello. He calls virtue ‘a fig’ and tries to persuade Roderigo that there is little point in being moral. His first word of the play, in Act I Scene I, of ‘SBlood’ is an indication of the kind of man Iago is. This violent swear is fitting for the rough soldier, however it veils the cunning and cleverness which he possesses. Further proof of his cruel nature is exposed when he is in dialogue with Roderigo, saying â€Å"Drown cats and blind puppies†¦ † It is also during this scene that Iago reveals the dominant reason behind his loathing of the Moor, which is that Cassio, who Iago describes as a ‘bookish theoric’ has been chosen over him as the new lieutenant. He is angered at the fact that Cassio’s many paper qualifications diminish his extensive field experience, and so divulges to Roderigo that he in fact does not serve Othello, but instead serves himself. This is summed up with his line ‘I am not what I am. ‘ While it seems to the other characters, and indeed to Othello himself, that Iago is devoted to The Moor, really he is engineering Othello’s demise. Also, in this and other scenes of the play, a racist element to Iago, and another reason of his hatred of Othello, is evident. This is illustrated by his crude line to Brabantio (Desdemona’s Father) of ‘An old black ram is tupping your white ewe. ‘ The ‘black ram’ meaning Othello, and the ‘white ewe’ referring to Desdemona. Iago’s view that he is inferior seems to have been established due to the fact that Othello, who is black, holds a higher ranked position than himself. Another of Iago’s thoughts is visible by his constant use of the words ‘Fill thy purse’ and ‘put money in thy purse’ during his speech to Roderigo in Act I Scene 3. This suggests that Iago believes a life full of money and material possessions is that path to happiness. He reinforces this when speaking with Othello, stressing the importance of name and reputation by stating, â€Å"Good name in man and women, dear my lord, is the immediate jewel of their souls. ‘ He seems to have no desire for love, and treats women with disrespect, calling his own wife, albeit jokingly, a common prostitute. However, women, the audience is lead to believe, are the basis of further motivation for Iago to destroy Othello, as during one of his soliloquis he says he will not be satisfied, â€Å"Till I am evened with him [Othello] wife for wife† There are two distinct sides to Iago’s behaviour throughout the first three acts of the play. Publicly, Iago is a friend to all. To Othello he is the trusted ‘ancient’ and to Roderigo a counsellor and friend. Many of the characters refer to him as ‘Honest Iago’ and when Othello arrives at the scene after Cassio’s drunken episode, it is Iago he trusts to tell him the truth about what happened. All this however, is merely a faiade to the real Iago. Only alone, and partially when Roderigo is present, does he begin to act as his real self. During these times he openly mocks the Moor and Cassio, and make slanderous comments about women. It is during these rare moments of privacy that he reveals his plans for Othello, and the motives behind them. Firstly, A classic example of a trademark Iago scheme takes place in the first scene. Acting upon emotion and anger, Iago devises a well thought out plan, and with trusty sidekick Roderigo, proceeds to Brabantio’s home. There, he drops his defences and to a degree, the real Iago comes alive. They break to Brabantio the news of his daughter’s secret marriage to Othello, and he is enraged, as Iago knew he would be. However, using forethought and perception that Iago seems to be the only character in the play to be blessed with he departs conspicuously early in order to go to Othello and warn him that Brabantio is after him, and so keep intact the alternate part of his character, the ‘Honest Iago. ‘ In this, like so many of Iago’s other ploys he has initiated the action because of his twisted deep hatred of the Moor and own self-serving nature, but it is Roderigo, who Iago has exploited, who delivers. In addition to Iago’s exploits in Venice, he too drives the action once everyone arrives in Cyprus. Not surprisingly, the success of his plan hinges upon the ability of Roderigo, whom Iago has convinced that if the Moor is eliminated, he will have another chance with Desdemona, who Roderigo is totally in love with. Roderigo however is not the only one who has allowed themselves to be manipulated by Iago’s eloquence. Cassio too, falls under his spell when he is convinced to have just one more drink. Iago’s ability to persuade and cajole in his subtle, general, almost casual way is one of his most important traits, which he uses to devastating effect on Othello, and leads him in to believing Desdemona is having an affair. A crucial part in every one of his plans is his own confidence. He carries out his actions with aplomb and when present he is a commanding figure, dominating the stage and speaking with powerful assurance, much like Othello in the first act, when Brabantio insults him and accuses him of witchcraft. To the audience, Iago’s behaviour qualifies him as the villainous character of the play, and his immoral nature is plain to see. He takes advantage of Othello’s trust, and preys on each of the main character’s weaknesses in turn, out of spite and self-interest. He claims, however he doing this for valid reasons, and through soliloquies begins to break down the barrier between himself and the audience by exposing his inner thoughts, in an attempt to provoke pathos and justify his actions. In addition, Iago’s style of language plays an important role in establishing his character. He has a unique way of speaking, and when he does, it seems he holds the attention of everyone on stage. His speech is so important to the development of the plot in fact, that large parts of scenes are devoted entirely to him in soliloquis. Throughout the first three acts of the play he speaks with the utmost confidence in himself, and he has the ability to inspire similar confidence in others, or he can use his eloquence to push others, albeit gently, into a state of angst and worry. Firstly, one of the dominant features of Iago’s speech is his constant use of hypocrisy. For example, at the opening of Act I Scene 2 Iago tells Othello how Roderigo †¦ â€Å"spoke such scurvy and provoking terms against your honour†¦ † when really, as the audience knows, it is Iago himself who so often insults the Moor behind his back. Irony, on the other hand, is not used by Iago himself, but it is present when the others characters of the play refer to him as ‘Honest Iago,’ when really, this could not be further from the truth, as Iago’s whole surface demeanour of respectability and friendship is a lie. A number of Iago’s speech techniques become evident in Act 1 Scene 3, as he counsels the downcast Roderigo, who has been rejected by Desdemona. Throughout his speech, Iago uses a series of imperatives, preying on Roderigo’s weakness of needing to be led. He orders Roderigo, ‘Come, be a man’ and ‘Put money in thy purse. The latter of these two phrases is repeated several times by Iago, as he attempts to instil in Roderigo his own idea that happiness stems from material wealth. Not only is Iago able to speak intelligently and with style, he occasionally lapses into the speech of a hard soldier, being sexist and racist, and playing on Roderigo’s pride and vi rility. Unlike other characters in the play, Iago is an orator, and is able to use a delicate balance of emotion and reason in his words and, which he pulls of with absolute self-confidence, often with his style driving the argument over substance. His ability to persuade lies also in the fact that he is never absolutely specific, often speaking in a speculative, indirect style, or using ambiguous metaphors or rhetorical questions. He demonstrates his ability to manipulate and toy with people on two important occasions; the first is when he convinces Roderigo to aid him to bring about the downfall of Othello, and the second is later in the play, at Act 3 Scene 3, when he insinuates to Othello that Cassio and Desdemona are having an affair. It is Iago’s language that shapes the play and drives the plot of the novel, as he is involved with every strand of it. He has a dominating presence and uses his eloquence to possess influence over every character, from the lowest citizen, to the highest-ranking official. In conclusion, over the first three acts of the play Iago’s character is firmly established and his purpose and motives exposed to the audience. Whilst he keeps up a faiade of honesty and trustworthiness in public, in private he confesses to being immoral and self-serving. He is unique in that he is able to befriend all, and use a blend of emotion and rational calculation to achieve his goals, and simultaneously ruin others lives and careers. He does this without remorse and is propelled seemingly by his own unwavering self-belief, however if also becomes apparent that he is constantly at battle with his own feelings of inferiority, which he smothers by bringing down the lives of others and making them suffer, in the same way that he feels he has had to. How to cite Iago – character study, Papers